The comparisons upon which she could draw were few and confusingly new, mixed with reality and the loose artistic conceptions of heroes in fiction. ‘What is it?’ ‘Er—shouldn’t I tell—I mean, the young lady, sir—’ ‘You can leave the young lady to me. ‘To what do you go, mademoiselle? The life of a nun in a convent, in a country where nuns are unwelcome. She drove me.
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