“More than that, he arrived to-day at the boarding-house where I am staying, greeted me with a theatrical start, and claimed me—as his wife. His interest was divided: while his ears drank in the sounds, his glance constantly roved from Ruth to the performer and back to Ruth. Then she dropped the curtain and stepped back into the room. ‘And how do you propose to get in?’ ‘Scullery window. You just married her! But there she is—'with her eyes full of sapphires and her mouth full of pearls'!" McClintock quoted with gentle irony. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them.
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