The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. “The things involved in it are,” he answered gravely. It was a queer little bed-sitting-room almost in the roof, with a partition right across it. Sir John waved her back.
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